Workshops
Different offers every day which you can choose spontaniously:
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5. Shahar Dor:
Hunch - Characters and landscapes
A movement, voice, music, performance lab
(on 3 days)
with
Shahar Dor
This lab invites participants from all field and
techniques whose wishes and interest resonates with the un-logical path of creativity.
We will explore the resonance of movement, voice and
music in relation to image creating in spontaneous performance. Participants
are invited to listen and compose with all Medias, techniques, forms and all
other immediate creative possibilities.
The work in the lab will develop continuously from
day to day; participants are invited for all three days or to drop-in once and
taste the work.
Sessions will progress from set warm-up and exercises
to open creative work and will include facilitated discussions. We’ll approach
the work with a porous structure, exploring the relations of character,
landscape and story in spontaneous composition. As we’ll go deeper we’ll
consider issues and realizations rose from the work.
There are two main thoughts behind this lab. One is
to openly meet the challenges involved in showing spontaneous work; the other
is to establish a simple language which we can lean-on as we enter the stage
empty.
As part of this practice, participants will be
encouraged to share their work at the evening performances. There is no need in
previous experience, only a will to ask questions with out a need to get all
the answers.
Shahar Dor (Israel)
performer and teacher
In the last 10 years Shahar has been deeply involved
with improvisation, exploring it through Dance, Theatre, Music and Video, and
through various collaborations with artists from all over the world. His work
as a performer, teacher and producer in Israel has opened up opportunities for other people to explore and discover the
uniqueness of the art of
improvisation. Currently he is forming the
experiential Art of the Moment school, in Israel. |



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6. Gesine Daniels:
Bodytalks –
ContactImpro for Beginners
with
Gesine Daniels
Our first dancepartner is the floor. Consciously meeting with the floor we
learn effortless and playfull, to move rolling, sliding, jumping, flying and
falling, to communicate through movement and to improvise dancing. From here we
open up for the space around us, meet other dancers and let duetts, trios
and groupcompositions happen and disolve.
Inside these dances we explore different qualities of touch, experience a
variety of dynamics and play with giving, taking, sharing and transporting weight;....
we dance encounters and stories.
This class is open for people who want to experience what CI is about and for
those who are curious about jamming but do not yet feel confident enough to
join the crowd; I also invite more experienced contactors to join us and dive deeper
into the possibilities of "listening and talking through the body"
Gesine Daniels
is a choreographer, a
dance teacher and a performer living in Germany.
She has been dancing since her childhood and practicing many forms of dance and
movement from Ballet and Gymnastics to Contactimprovisation. Since 20 years, CI
together with improvisation is her passion; which influences her teaching and
artistic work as well as in her daily life. Her style of dancing and teaching
Contactimprovisation is energetic, playful and sensitive. Exploring the physics
of the human body in movement fascinates her and the question of “how do we
communicate in and through dance?“ is a big issue for her. |


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7. Christof
Linhuber:
Sound happens (on 2 days)
– not only for musicians
with
Christof Linhuber
Give your sounds to the universe…
everybody has got his own sound - with or without
musik-instrument.
There is sound and the listener – how do they come
together?
We will work on our own sound, we will explore the
space between sound and listener and experiment with how to create this space.
All Instruments are wellcome (especially your own
voice and bodypercussion sounds).
Christof Linhuber
born and grown up in a bavarian soundscape, he likes
to celebrate the meditativ kind of bavarian Jodler. As a musician,
musictherapist and instrument-builder, he creates and makes monochords and
gongs - sounds of the universe, sounds of being and to work with them. |


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8. Katia Velichko:
Body and Voice in Contact Improvisation
Vocal dance – New colours of the sound to contact dance
with
Katia Velichko
The central point of the
class is to feel the physical aspect of the voice, its flesh, thickness and
materiality. Filling the contact dance with sounds, we will express emotions
and feelings through breathing and speaking. Moving, shaking and touching the
body we will observe and explore the voice as the part of it.
As well our attention will be focused on the center, spine, facial muscles and
support.
With the voice we will open the space inside the body and extend the volume of
the dance, so we can add new colours of the sound to our contact dance.
Katia Velichko
actress, dancer and performer. I've danced from my early
childhood. After graduating from the acting school, where Andjela Doni taught
Contact Improvisation, I fell in love with improvisation and followed its path
in the last 7 years in Europe. So
last summer I was part of the CI-performance-group at the international authentic
dance and music festival in Moscow.
As an independent artist I perform, teach and organize regular contact jams in Moscow.
In my teaching I combine acting improvisation, voice
techniques, contact improvisation, authentic movement and release.
I find it interesting to open for myself and for others the joy of movement,
play and communication in a spontaneous dance. In my creation work I am
interested in people, their unique and diverse nature. The idea that drives me
is brightness, openness and courage to be myself! |


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9. Sebastian Garcia Ferro:
From different body states into improvisation
with Sebastian Garcia Ferro
Improvisation Elements
We research different states into the improvisation, developing our observation, perception, fluidity, sintesis, commitment, risk, repetition and continuity of movement, recognizing acquired skills and opening ourselves to new possibilities.
Sebastian Garcia Ferro (Spain)
Nowadays he teaches Contact Improvisation and Physical Training in different dance studios and educational institutions in Argentina, Spain, Portugal and Belgium.
He is also a musician and writer. He has created the original score of his works and has collaborated with many others Dance and Theaters companies.
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10. Britta Rodenkirchen:
Dancing with colours (on 2 days) –
Colour is sound – dancing is painting through movement
with Britta Rodenkirchen
How do inner pictures and colours change or have an influence on our movement, the inner and the outer space? We will explore this theme.
We experiment with the combination of dance and colour – colour as projection in space, on the body and simply painting while moving. Please bring light-coloured clothing that can take some spots.
Britta Rodenkirchen
After education and practice as a farmer, sheperd and horse-riding therapist, my artistic heart came through. In dancing (with Keriac), painting (Thomas Egelkamp) and object-art I try
– between playful- and earnestness – to find my way in getting closer to the essence of life.
In this time I would like to share my enthusiasm for the beautiful enrichment and livelyness which maybe developed through the penetration of colour, sound and movement |


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11. Ingo Rosenkranz
:
Body – Resonances
from sound and bodywork into movement
with Ingo
Rosenkranz
Considering that my most honest dance starts deep
inside of me, out of this silent place of freedom, my very own feelings and my
view to the world, than a travel into my body is a good starting point to
develop my personal dance.
From this inner travel we will find different ways
into dancing through the flow of bodywork and soundvibration travelling on the
body, both resonating through movement.
Simple exercises of bodywork, sounding and speaking
from the heart give the consciousness to feel the body-mind-voice-soul
integration as part of myself and my dance.
Ingo Rosenkranz
Dancer, actor, performer and teacher for the art of
improvisation through movement, soundexperience, bodywork, communication and
meditation. For more than 10 years he explores this art in collaboration with
many artist around the world. His main interest is the fusion of different
artforms and its influence on the art of movement in each moment, a constant
awareness practice. The different bodyexperiences and the communication are as
important for him as the pure joy of moving, playing and silence. |


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12. Mary Pearson & Britt Jürgensen:
Fool's Proof Theatre
It is about the joy of playing
with Mary Pearson & Britt Jürgensen
"It is a great pleasure for us to give to others what fascinates us about theatre. We approach theatre techniques through games and exercises that give participants the space to experience with their own body how things "work".
The most important thing for us is to awake the joy of playing and to create an atmosphere where it is possible to quiet the critic in our minds and release our own very personal craziness."
No matter Try again Fail again Fail better!
(Beckett)
Mary Pearson
From Bethlehem, Pennsylvania(no joke): spent most of her childhood in Tutus, studying literature, fine arts and dance at Obelin College; then her feet hurt and she decided to change her shoes for theatre. After many years of improvisation training and performance (Keith Johnston, Action Theatre), she made the step over the wide ocean to study movement theatre in Padova, Italy after the education of Jacques Leqoc. There she met:
Britt Jürgensen (Germany)
from Stubben, Schleswig Holstein: after always having had a tendency for the theatrical, she finally decided to make it her profession. So she studied physical theatre und theatre management in Liverpool, worked with diverse Theatre companies and as she had enough of fish'n chips, she took the jump over the north sea to go to Padova, Italy, to, guess what?
And there she met…
And that was the beginning of a productive and explosive team work!
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13. Manuela Hofer
Awakening your animal spirit
with Jungle Gym, breath, sound & imagery
Moving from your vital animal nature and through biologically based
fluid and playful movements - inner strength, recuperation and vitality can be accessed. We use these resources to broaden and inspire our body awareness, movement quality and range of motion.
Manuela Hofer
Somatic Movement Therapist, Rhythm- and Percussionteacher, Artist
I am inspired about movement in nature and in humans. In this work I follow the road from inner and energetic perception to authentic movement expression and dance-development. |
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14.
Lior Ophir & Kabiro Scheller:
City performance – Awareness Theatre in Public Places
with Lior Ophir & Kabiro Scheller
Is being in the middle
of all-day life environments and situations with the awareness of being not
completely IN the situation BUT part of it.
So I know that I am playing with the environment and the situation but others
not... or they feel something going on... or they find it slightly unusual...
or they recognize you as a playful artist...
In this workshop we explore few aspects of group improvisation in different
public places such as street corners, train stations, department stores, cafes...
never predictable and always unique!
We shall explore the special awareness of the performer, and the contact among
the performers in the group. Welcome to play!
Lior Ophir
lives in Tel-Aviv, Israel, and is in a constant search for balance
between his profession as an engineer and his passion for dance, body-work, and
meditation.
Lior practices, studies and teaches, in various locations (Israel, Europe, US, Japan) different
forms of movement, awareness and therapy, including: Improvisation, Contact
Improvisation, Shiatsu Therapy, Yoga, Vipassana Meditation, Tai-Qi, and Buto.
Kabiro Scheller
My dancing, moving , breathing
nature dedicates her presents always into the
opening of the moment...in Dance, Bodywork, Yoga and different other
HeARTs.
Contact&danceImpro since 1994, over the last 5 yaers Teaching and learning
different combinations of contact, danceImpro, theatre and Healing Rituell
Hawaiin Massage .
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15. Jörg Hassmann & Daniel Werner:
Contactimprovisation - Momentum & Slowmotion
mit Jörg
Hassmann & Daniel Werner
text translation follows
Daniel Werner
I work as a dancer, performer and teacher for dance,
Qigong and Tai Chi, and organizer in this field. Since my early youth I studied
and trained martials arts. Later I became interested in Qigong/ Tai Chi, and
tried out all sorts of “bodystuff”. I started dancing CI and New Dance with
different international teachers in `95, and teaching in `99. I love to deeply
explore and experience the connections of Body and Mind, taking what the moment
brings up, being inspired by eastern and western experiences/methods. I studied
Body Mind Centering and CI with Ka Rustler and others, and am currently doing
the Somatic Movement Art Training (based on BMC) in Berlin.
In 2005 I worked with Horst Viral in the dance production “Biomatrix” in Berlin.
Jörg Hassmann
... dances CI since 1991
and entered from there the stage and
contemporary techniques. He performed in various Companies e.g. in
France, Egypt, Japan und the USA. Since 2005 he is based in Berlin.
He loves making pieces and to explore his body and its movement
possibilities on his own.
His work is based on Release Techniques, Contact Improvisation,
Contemporary Dance, Action Theater, Capoeira, Games and a huge amount of
curiousity. |




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16. Vitaly
Boldinov:
Architecture and body structure
with
Vitaly Boldinov
My body is my instrument in performance. How do I improvise
with this instrument, what kind of constructions do I build with my body? My
interaction with the space and other bodies creates a unique composition.
We will play and improvise with the following
questions:
How does the stage space look before we enter?
What happens, what changes in space when we enter?
How do we enter the space?
What architecture does the body have a moment before
we start to move and then when we improvise?
We will explore how to be visible in the group, how
to become a solo in the group improvisation. And the opposite – how to fall
back into the shadow, become invisible.
The questions of bodysize, position on the stage,
speed, tempo – will also be the focus of attention during the class.
Vitaly Boldinov, Russia, Moscow, originally from Tbilisi, Republic of Georgia.
I’m a dancer, performer and dance teacher. And also I
am an architect, interior designer and I make films about contact improvisation
and performance. My biggest project in performance was an international
laboratory «CI in performance» with performances in the theatres and outside in
the framework of the international authentic dance and music
festival«Moscovscoe Deistvo -2005».
I studied and collaborated in performances with
Andjela Doni, Andrea Keiz, Dany Lepkov, Martin Keogh.
I studied psychology at Moscow Institute of
Transpersonal Psychology in 1996-1997, and also gestalt and group psychology at
International Institute of Integral Psychology in 2003-2004. |


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17. Pen Dale:
Contact improvisation - Putting the Improvisation back into Contact!
with Pen
Dale
Sometimes we can get so involved with learning the
physical form of Contact that we can lose our sense of improvisation within the
dance. Sometimes we can lose the sense of play that we so loved in the first
place. In this session we will find different ways we can invite it back. By
using a variety of different scores, embodied states and patterns of
interaction, we will explore our own aesthetic and approach to improvising in
general, and how it can find expression through the form of Contact. The aim
of this work is to chart the territory where the physical discipline of the
form meets the discipline of our imagination!
Pen Dale (Australien)
is an Australian
contacter, dancer, singer, improviser, who has traveled the world
to follow her passion for music and dance. Currently based in Berlin she draws on many
disciplines in her teaching, including BMC, release technique, authentic
movement, contact
improvisation and tai chi.
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18. Jagat:
Chi Dance - An invitation to forget all you know
with
Jagat Frenzel
Text follows |


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